In her 70 years, Sandy Linter has lived many lives as a makeup artist. In 1969, the Staten Island-born visionary started her profession working for famed celeb hairdresser Mr. Kenneth in New York City, his customers Jackie Onassis and Barbara Walters serendipitously ending up in her makeup chair. In the ’70s, she struck out on her very own, touchdown high-profile editorial work with photographers together with Irving Penn, Helmut Newton, and Arthur Elgort at the same time as embodying the era’s work-hard-play-hard mentality and becoming an incredible fixture at Studio Fifty-four. In the ’80s, she frequently portrayed the faces of supermodels Iman, Cindy Crawford, and Patti Hansen for the most important campaigns and Vogue pages. And seeing that then, Linter hasn’t bogged down. In fact, with age, her skill set has grown as she’s continued to work with a laundry listing of famous faces together with Christie Brinkley, Debbie Harry, and Rita Wilson.
“I can bear in mind being younger, Sandy, the makeup artist after which middle elderly and the also on the middle elderly…” she laughs about her evolution over her long career. While the fashion industry is, at a lengthy final, embracing girls above a certain age, Linter believes there may be no time just like the gift for older women to embrace makeup and laugh with it. “There aren’t any regulations!” she insists, with just one supplement: “Wear the makeup, do not have it put on you. Instead of seeking to conceal flaws, decorate what you have.” From herbal-searching insurance to subtle tricks that make the eyes pop, here’s Linter’s guide to ageless beauty.
Create a Glowing Base
Following a dedicated skin-care routine—cleaning, moisturizing, and exfoliating—is vital for accomplishing a healthful complexion, particularly through the years. Before using makeup, unfold a veil of a hydrating yet weightless moisturizer on easy skin. “Heavy moisturizers are no longer like-minded with makeup,” says Linter. According to the pro, La Mer’s Crème de l. A. Mer Moisturizing Cream moves the proper balance among nourishing the skin for a dewy end without compromising the layers that comply with it. After the moisturizer sinks in, you may target regions with pleasant strains or dry patches with a quick-soaking-up primer, like Dermablend’s Insta-Grip Jelly Face Primer with its soothing gel texture as desired.
Cover Up Conservatively
“You cannot hide wrinkles, so do not try to because you are simplest going to attract greater interest to them,” says Linter. To even out skin tone, she suggests using a wet sponge or foundation brush to use a sheer, hydrating basis, like Kevyn Auction’s The Ethereal formula, so that it “does not look plastered to the face.” Then, use a strong yet lightweight creamy concealer that blends easily—Giorgio Armani’s High Precision Retouch Concealer is her pass-to—on the more ruddy or hyperpigmented regions. For the eyes, focus on the below eyes and tear ducts to counteract dark circles efficiently. “Most girls get darkest on the internal corner in their eye in preference to the outer corners in which you smile and feature the snicker lines,” she explains.
Warm Up the Skin
When choosing a basis or concealer color, one might be inclined to find an exact fit. However, Linter shows going a color or two warmer to ensure you don’t appear washed out. “If it is too matchy-matchy, it can age you,” she says. And in that case, it is particularly crucial to increase insurance past the visage. “After the face, take a basic brush and mix very slightly across the neck so it doesn’t look apparent,” instructs Linter. Then comes bronzer—and no longer just for the cheeks. “I apply it to absolutely everyone over 50 because it warms up the pores and skin in a herbal manner,” she explains, including that she’ll sweep Serge Lutens’s Complexion Perfector underneath the cheekbone, down the sides of the nose, throughout the forehead, and beneath the jawline for a chiseled glow.
Sculpt and Lift Subtly
Smiling even as you apply blush has long been referred to as a well-known, attempted-and-real approach; however, it is not as effective as you age, says Linter. “Instead of at the apples of the cheeks, I like to apply blush on the top of the cheekbone and then blend inward,” she explains. “You need to factor the attention as much as enhance.” As for sun shades, she prefers muted, rosy sun shades like MAC’s Powder Blush in Prism. “I’ve been using it because of the ’90s!” she says. For extra effect, Linter will first layer with a cream formula, like Kevyn Aucoin’s The Creamy Glow, and then finish it with a powder. “Sometimes simply the cream is sufficient,” she says. As for putting powder is a step Linter normally skips but seems to Dermablend Banana Powder if important.
