Mood board: In the latest seasons, manufacturers have been recalibrating their concept of sexuality. Post #MeToo, because the presence of the male gaze has become even greater, male designers and ladies alike are questioning how we can be both provocative and compelling. Max Mara is aware of strong dressing internally. Its 101801 wool and cashmere coat has been a powerful woman’s cloth wardrobe mainstay for 1981.
Glamour changed into a specific fashion word of this decade, and it’s a glance at how Italian brands are nicely influenced. See Versace, Cavalli, and Fendi. This was the central notion in the back of Max Mara’s A/W 2019 offering, with creative director Ian Griffiths referencing Linda Evangelista as an autumn icon. Silhouettes have been robust, wider, boxier, and leggier. Utilitarian and government imagined black, caramel, and beige sunglasses with pops of relatively saturated color and a swathe of beautiful animal prints.
Best in the show: Max Mara is the progenitor of beige, and its tone dominates the A/W 2019 catwalk and the road-style scene outside the indicates. Griffith opened the display with three models strutting down the catwalk collectively, carrying wool blazers, mohair cardigans, and knee-high boots in monochromatic cyan, cerulean, and corn yellow. The proceeding beige oversized jackets, houndstooth coats, and wide tweed trousers additionally made for punchy electricity dressing.
Scene placing: Max Mara switched up its standard display venue place, bringing guests to a good-sized subterranean atrium at Universita Luigi Bocconi. The stark area was built with the aid of Italian practice Grafton Architects in 2008. When the girls attend this year’s graduation, we recognize what they want to wear.
